30 April 2017

Split Screen Loses Its Home

Not long after I first rezzed nine years ago, I found a home on a tiny estate consisting of one full sim and two homestead sims. I lived on the full sim for a few years, and about the time I was starting to think about creating a place to host large artist installations, half of one of the homesteads became available. I pounced, and the Split Screen Installation Space was born. Later I moved Split Screen to the other (sandier) homestead. The estate owner Syzygy Merlin and her manager DFox Spitteler, wonderful people both, were incredibly supportive throughout these years. In fact they had first suggested that I should start a gallery (I'm sure they had nothing like Split Screen in mind!). But due to financial circumstances, sadly Syzygy has no choice but to close the whole estate.

For the next installation, the Coppelia artist collective has generously allowed Split Screen to take up residence at their sim. This is a temporary solution which will give me time to figure out something longer term. Unfortunately, it's going to be extremely hard to find another situation like the one I had before -- most estate owners don't want large structures on their land. Plus, even if I do find such a sim, it will undoubtedly cost significantly more. I might apply for LEA land, but this would also be a temporary solution, plus it goes against my grain as an independent curator running an installation space. There aren't many of us!

The best possible solution would be if I could gather a group of sponsors who could help pay for a homestead sim (it would be relatively inexpensive if there were five or six people, probably around US $15/month), but so far, no luck. If anyone wants to become a patron of the arts, let me know! (The sooner the better, too, because during the next few days there's a way to take over the homestead I'm currently on.)

In the meantime, I'm really going to miss the estate I called home for so many years. My thanks once more to Syzygy and DFox -- Split Screen quite literally would never have come into existence without their support, and they've been truly wonderful people.  Best wishes!


Me in my first home at Ziggy's Place, 2008

17 March 2017

News and more blog posts on Haveit Neox's "Bleeding Books"

I'm rather behind, but here are some updates on Haveit Neox's Bleeding Books:

  • It was selected as an SL Destination Guide Editor's Pick
  • Inara Pey wrote a very insightful commentary on her blog.
  • It was also covered by Kara Trapdoor and Maddy Gynoid (in German)


Striking a blow for the little guy, Radegast

I'm a fan of Radegast, a lightweight SL viewer that pares down graphics and other functions.  I use it when I just want to do something simple like clear messages or chat in IM (especially if I'm on my backup computer), but some artists (like Jo Ellsmere and Oberon Onmura) use it to run bots that are part of their work. Radegast was orphaned when its developer passed away, but fortunately someone volunteered to take it over and it's alive again. (Thank you, Cinder Roxley!)

A few ago, Norton Security stopped me from using it by cutting off its access to my internet, thinking it's a malicious program. After a few days of this, I was pretty annoyed. So I made a "false positive" report to Norton and -- hurrah! -- they just told me they'll take it off their blacklist.  Might take a day or two for that to appear in their updates. Lesson: Complain, because sometimes it works.

05 March 2017

Blog post by Caitlin Tobias about "Bleeding Books"

Caitlin Tobias has written a blog post about Haveit Neox's Bleeding Books. It includes a machinima she created which gives a great sense of the installation. Thanks, Caitlin!

04 March 2017

Haveit Neox: "Bleeding Books" at Split Screen

Haveit Neox creates some of the most recognizable art in Second Life, partly because of his style, and partly because of certain recurring motifs (such as centaurs). In Bleeding Books, now open at Split Screen through 30 April, the main returning motifs are ships, architecture, and -- most prominently in this installation -- writing. Books hang in the sky, and from some of them a torrent of letters pours out, raining on the people below. Letters also form twisting bands hanging down into the space. At ground level there is a large building where, among other things, letters can be found imprisoned. Haveit writes:
Bleeding Books begins in the sky, and drops to the large fortress at ground level. It is a story in my ongoing series on abuse as seen through the lens of language. What happens when knowledge is so disrespected that it is freely contaminated with doses of falsehood? There are avenues to properly sort facts in this information age, yet we easily turn a blind eye to certain evidence if it goes counter to our beliefs – even when our choices may cause immeasurable harm. In the exhibit, the texts of books bleed falling letters of the alphabet, for they can no longer contain any structure of value.



Bleeding Books by Haveit Neox

As Haveit's note suggests, there is often a political edge to his work. He is, in my view, one of the few artists in SL who manages to integrate political thought into his work in a highly effective manner.

The installation uses a windlight: "Phototools- Got It Light." If you're using Firestorm it should apply automatically; otherwise, select it within your viewer for the intended effect.

Bleeding Books is at Split Screen (http://maps.secondlife.com/secondlife/Amra/52/128/130) for the next two months. Visitors interested in Haveit's work should also see his installation, The Haul, now on view at MetaLES.

20 December 2016

Machinima of Alpha Auer's "from here on there be dragons"

There is a machinima of Alpha Auer's from here on there be dragons by Veyot. The dancers use the avatars that Alpha provides at the installation's landing points. I enjoyed watching the video quite a bit!




Many thanks, Veyot!